What started as a spontaneous session during an earlier edition of the renowned Sacred Ground festival has now turned into an official labour of love – one that’s not only based on mutual respect and admiration for the skill-set and profound musical knowledge the other puts on display, but on the endless possibilities that emerge once you stop serving to specific constraints and expectations people tend to link to your name.

As soon as Frank Wiedemann and Mathew Jonson are facing each other on stage something magical is happening, a free-floating musical beast based on improvisation and triggered by the sheer love to create an experience – for the audience and themselves – detached from peak time clubland, release schedules and the limitations of distinctive scenes. It’s a new chapter of music for the masses that feels equally at home on any festival’s stage as it does in the rather intimate surrounding of a gallery space.